Every Tuesday between October and December, we invite UK and international practitioners to share their process and practice.
Crossing Borders 2016 will happen between Tuesday 4 Oct – 13 Dec, excluding 1st November (half term). The season will look at touch, perception and communication through different disciplines and practices.
Below is the full programme for this year’s series.
You can listen to the recordings of talks from the previous series of Crossing Borders through our online archive.
4 October | Catherine Grant
Kinaesthetic Communications: Thinking (and ‘Writing’) about Cinema with Rhythm and Timing
Catherine’s talk will explore ideas around embodied viewing and material forms of thinking from her own perspective as a cinema scholar and video remix practitioner. She will look at notions of sensuous proximity, contiguity or contact in the perception of moving images and sounds.
11 October | Simon Whitehead
The Village Dance
A reflection on how bodies practice places and how these processes might be part of experiencing and re-imagining a village…
Simon talks about a current preoccupation with the realm of social ecology, on how people might practice home, make sense of their environment and interact together.
18 October | Sue MacLaine
A Multitude of Possibilities
A discussion, a talk, a lecture, an address, a speech, a conversation, a discourse? Sue MacLaine is a writer, director, performer and also an interpreter working between British Sign Language and English. She will offer perspectives on meaning making, cultural mediation, intention and assumption and her approach to creating interpretation for live performance.
25 October | Jayne Parker
Reflections on filming performance
“The challenge of filming expressive action and capturing its felt experience is compelling for me – as is the process of filmmaking, in particular framing and editing.” JP
Much of Jayne’s film work features the performance of music in what she calls ‘a search to find a music equivalent within the language of film’. Jayne has worked with cellist Anton Lukoszevieze and pianist Katharina Wolpe to make many films, each with a strong focus on the act of musical expression. There is a strong element of performance in all her work - the body in action, in relation to an object, musical instrument, another body.
8 November | Abbie Garrington
Touch as Language / Language as Touch
Abbie puts forward different tactile ‘types’ that are worth thinking about for anyone working in somatic practice, drawing on her research into written renderings of sensory experience specifically relating to touch and the haptic. She will illustrate the discussion with literary quotations from her period of specialism in the early twentieth century, seeing whether the written word and the danced idea have things to ‘say’ to each other about touch.
15 November | Kirsty Alexander, Kathy Crick, Charlotte Darbyshire and Laura Glaser
Lessons with a curious equal
22 November | Charlie Morrissey
Touching the thing that touches you
Charlie shares his on-going conversation with Lisa Nelson and with her work, a constant reference point in his own movement, teaching and performance making practice. Drawing on Skype conversations with Lisa, he reflects on the role of touch in both his and Lisa’s work.
29 November | Corinne Jola
Touching Spectators – Spectating Touch
Touch is a very special sense. It is the most intimate of all senses and in close relationship with the ‘sixth sense’, proprioception. Where we are touched, how, when and by whom is of crucial importance to our sense of touch and ultimately our response to it that spans from sensual pleasure to pain. Dance audiences can feel touched through spectating touch as well as through the kinaesthetic sense of looking at dancers in motion. Hence, when dancers touch audiences, they can do so without actually touching them. In this talk, Corinne discusses scientific approaches to these forms of touch and shares artistic applications.
6 December | Miranda Tufnell / Knowing Body Network
13 December | Rosalind Crisp
Unwrapping d a n s e
a danced lecture
undoing the hegemony of embodied history
an unfinished dance by a saturated body
an ongoing practice exposed…
Crossing Borders began in 2009, and has been running annually ever since. To listen to previous talks, by artists and scientists including Raimund Hoghe and Franko B, Ros Warby, Tim Ingold, and Eva Karczag, visit our audio recordings collection.
Crossing Borders is supported by the London Contemporary Dance School postgraduate programme.