These classes will share practice with artists undertaking the new MA in Creative Practice; numbers will be limited, arrive early to guarantee your place.

Working within a directed improvisation, Rosemary's class will explore methods of developing intuitive decision making within a framed movement language. The class maps physical experience through memory and sensory awareness.

These classes will share practice with artists undertaking the new MA in Creative Practice; numbers will be limited, arrive early to guarantee your place.

Butoh: the poetics of transformation

Marie-Gabrielle’s classes encourage an expressionist, imaginative and poetic connection to movement, whilst encouraging compositional awareness and an eye for detail and form within improvisation. She explores the power of stillness, poetic imagery and inner focus. Her work with Butoh draws from the lineages of both Tatsumi Hijikata and Kazuo Ohno. Open to all levels and ages.

Working within a directed improvisation, Rosemary's class will explore methods of developing intuitive decision making within a framed movement language. The class maps physical experience through memory and sensory awareness.

These classes will share practice with artists undertaking the new MA in Creative Practice; numbers will be limited, arrive early to guarantee your place.

This year's Critical Pathways offers an arena for five artists only to work in depth with Rosemary Butcher on an idea, existing work, or proposal of work within a small group studio framework. 

Working within a directed improvisation, Rosemary's class will explore methods of developing intuitive decision making within a framed movement language. The class maps physical experience through memory and sensory awareness.

These classes will share practice with artists undertaking the new MA in Creative Practice; numbers will be limited, arrive early to guarantee your place.

Working within a directed improvisation, Rosemary's class will explore methods of developing intuitive decision making within a framed movement language. The class maps physical experience through memory and sensory awareness.

These classes will share practice with artists undertaking the new MA in Creative Practice; numbers will be limited, arrive early to guarantee your place.

Working within a directed improvisation, Rosemary's class will explore methods of developing intuitive decision making within a framed movement language. The class maps physical experience through memory and sensory awareness.

These classes will share practice with artists undertaking the new MA in Creative Practice; numbers will be limited, arrive early to guarantee your place.

These choreographic feedback studio sessions are an opportunity for professional choreographers to show work at any stage in its process, in order to get appropriate feedback to help in the process of developing the work.

The artists showing work this evening are:

Abreaction - Choreographed and performed by Lydia Ariken 

And I always end up dancing by myself - Choreographed and performed by Laura D'Italia 

Working within a directed improvisation, Rosemary's class will explore methods of developing intuitive decision making within a framed movement language. The class maps physical experience through memory and sensory awareness.

This class develops partnering work into a playful dialogue drawing from Tango Argentino vocabulary and Contact improvisation principles.

The class aim to engage the spine and senses; negotiate resistance, support and weight shifts; harmonize solos with duets and group work. CI

CI indicates that the class focuses on Contact Improvisation. Please note, however, that teachers without the CI initials may lead a class incorporating partner-work or contact at some point.

Working within a directed improvisation, Rosemary's class will explore methods of developing intuitive decision making within a framed movement language. The class maps physical experience through memory and sensory awareness.

This year's Critical Pathways offers an arena for five artists only to work in depth with Rosemary Butcher on an idea, existing work, or proposal of work within a small group studio framework. 

Working within a directed improvisation, Rosemary's class will explore methods of developing intuitive decision making within a framed movement language. The class maps physical experience through memory and sensory awareness.

Working within a directed improvisation, Rosemary's class will explore methods of developing intuitive decision making within a framed movement language. The class maps physical experience through memory and sensory awareness.

Through hands-on activities, moving/dancing, drawing/writing the class is a journey through the anatomical landscapes of the body. The aim is to create a space in which each mover develops one's own interpretation of the tasks offered. By understanding the personal need in each given moment, the invitation is to satisfy the individual curiosity for movement.

We will explore sensing as discovering, moving as a tool for learning and reflecting, dancing as both rest and a highly dynamic activity. The main fields of exploration are: Experiential Anatomy, Authentic Movement and Improvisation. If the weather allows, classes will include outdoors activities to encourage links between the environment and the living body.

We will explore the use of restrictions, constraints and structured problems as tools for finding ease, freedom, new patterns and greater possibilities in our improvised movement choices. The Feldenkrais Method ® taps the innate intelligence of the human nervous system to produce higher levels of function and movement ability.

Through hands-on activities, moving/dancing, drawing/writing the class is a journey through the anatomical landscapes of the body. The aim is to create a space in which each mover develops one's own interpretation of the tasks offered. By understanding the personal need in each given moment, the invitation is to satisfy the individual curiosity for movement.

We will explore sensing as discovering, moving as a tool for learning and reflecting, dancing as both rest and a highly dynamic activity. The main fields of exploration are: Experiential Anatomy, Authentic Movement and Improvisation. If the weather allows, classes will include outdoors activities to encourage links between the environment and the living body.

This year's Critical Pathways offers an arena for five artists only to work in depth with Rosemary Butcher on an idea, existing work, or proposal of work within a small group studio framework. 

Through hands-on activities, moving/dancing, drawing/writing the class is a journey through the anatomical landscapes of the body. The aim is to create a space in which each mover develops one's own interpretation of the tasks offered. By understanding the personal need in each given moment, the invitation is to satisfy the individual curiosity for movement.

We will explore sensing as discovering, moving as a tool for learning and reflecting, dancing as both rest and a highly dynamic activity. The main fields of exploration are: Experiential Anatomy, Authentic Movement and Improvisation. If the weather allows, classes will include outdoors activities to encourage links between the environment and the living body.

Through hands-on activities, moving/dancing, drawing/writing the class is a journey through the anatomical landscapes of the body. The aim is to create a space in which each mover develops one's own interpretation of the tasks offered. By understanding the personal need in each given moment, the invitation is to satisfy the individual curiosity for movement.

We will explore sensing as discovering, moving as a tool for learning and reflecting, dancing as both rest and a highly dynamic activity. The main fields of exploration are: Experiential Anatomy, Authentic Movement and Improvisation. If the weather allows, classes will include outdoors activities to encourage links between the environment and the living body.

Lyndsey’s class focuses on an energised and dynamic use of the body. The Friday sessions at ID will allow participants, following on from a led warm up, the opportunity to work on one lengthy movement sequence that will encompass complex co-ordination together with an emphasis on complete embodiment of dynamic range. Through practice, coaching and dialogue we will cultivate and foster a strong understanding and awareness of one's own moving, acquiring clear articulation and presence in motion.

This year's Critical Pathways offers an arena for five artists only to work in depth with Rosemary Butcher on an idea, existing work, or proposal of work within a small group studio framework.