Rosalind Crisp's research practice deals with a group of principles which guide the attention of a dancer to her dancing, through a palette of  'tools'  to notice and source movement from any part of the body, at any speed, level, direction, with any effort or duration...at any time. The work is about dancing, about the body, and about the dancer as creative agent. www.omeodance.com

The Professional Morning classes will deal with the 'preparation' of the body through attention to breath, sensations of weight, awareness of beginnings, the emergent process of movement, and an introduction to some concrete tools for producing movement.